1/1/2024 0 Comments Panasonic full frame cost![]() ![]() Panasonic has done a new trick here: Not only does it flip out and rotate around like the display on the GH5, it also tilts up. The most noticeable change between the S1/S1R and S1H is the fully articulating rear display, which probably accounts for the extra weight. 005 seconds of lag, it was supremely fast and ultra-clear. It's better than an optical viewfinder for video, because I saw exactly what I recorded, including exposure, white balance and focus. The S1H has the same superb 5.76-million-dot electronic viewfinder (EVF) that impressed me on the last two models. IBS is no substitute for a gimbal, after all, but it'll serve in a pinch if you forget your tripod. ![]() Should you attempt anything more ambitious like a tracking shot, you'll get sharp jolts that will make your viewers queasy, unless you're much steadier than I. The 5-axis in-body stabilization system is the same one used on the S1 and S1R, but how does it work for video? I found that it let me shoot natural-looking static handheld video, with a bit of bobbing and weaving à la Law and Order. That's important since the S1H supports non-stop video recording via a new heat-dispersing fan. Also, if you're shooting a particularly long video, "relay recording" switches to the second card after the first one runs out of free space. Event shooters can use one card as a backup for safety, for one thing. This makes a lot of sense for video and not just because XQD cards are incredibly expensive. One change between the S1H and S1/S1R is that Panasonic has gone with two SD UHS II card slots, instead of one SD UHS II and one high-speed XQD card slot. Many shooters (though definitely not vloggers) also prefer a heavier camera as the extra mass keeps it steadier during handheld shooting. That heft is well-earned, though, as the magnesium alloy, full die-cast body is dust-, splash- and freeze-resistant. ![]() It's the heaviest of the three cameras at a whopping 2.5 pounds with a battery and memory card, and I felt it after shooting for a day in the heat of LA. This comes at quite a price, though, so to get a feel for the camera and see how it performs, I shot with a pre-production S1H for a day at Panasonic's launch event in Los Angeles.Īs with the earlier Lumix S1 and S1R, the S1H is a handful. But unlike the Pocket 6K, Panasonic's S1H has a continuous contrast-detect autofocus system, a fully-articulating display and in-body stabilization - huge features for vloggers and shooters on the go. Sure, this doesn't measure up to what Blackmagic's Pocket Cinema 6K camera can do - at least, not yet. ![]() The S1H can handle video with 4:2:2 10-bit billion color depth, both internally and externally, for maximum flexibility when editing. For the first time on a mainstream mirrorless camera, you can shoot full-frame, uncropped 6K video (5,888 x 3,312) at 24 FPS, and 60 FPS 4K using a cropped, Super 35 (APS-C) sensor size. It has officially unveiled the 24.2-megapixel S1H and it definitively blows away all rival mirrorless cameras from Sony, Canon and Nikon when it comes to video. Panasonic was not willing to give away its crown as the ultimate mirrorless camera company for video shooters. ![]()
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